Showing posts with label Fall Out Boy. Show all posts
Showing posts with label Fall Out Boy. Show all posts

Monday, June 26, 2017

Fall Out Boy Champion: An Album a Day

An Album a Day is posted 5 days a week, Monday-Friday





    So Fall Out Boy released a new single. This is the second single for their album to be released later this year, M A N I A. This will be their first new album since 2015’s American Beauty/American Psycho and reportedly is going to draw heavily on EDM influences. The first single Young and Menace featured the three years behind current trends sound of dubstep mixed with contemporary pop influences. So with the background out of the way, let’s see how Champion tackles EDM.
    To start, this song does at least appear to have guitars somewhere in the mix and does bring in a little bit of Fall Out Boy’s older sound. The issue this track has right off the bat for me is that the production doesn’t sound like Fall Out Boy; it’s crisp with that dull echoey feel that all pop music has these days. On top of this, even with the guitar in the background the opening of this song wouldn’t sound out of place as the hook on a Future or Drake track, with such a drowsy and low delivery. Also their heavy use of purple in all the marketing keeps making me think Patrick Stump was sipping lean before some of these vocal takes.
    Throughout the majority of the song Stump’s vocals are strong as ever, just like on Young and Menace, but there are a few drowsy segments that kill all of the momentum of this track. And while this track attempts to use the huge sounding drum sounds from their last album to add power, even the drums sound tired. I don’t want to be overly negative, because I hate people who throw a fit every time a band changes their sound, but there are changes that work and changes that don’t and this change does not work at all.
    Fall Out Boy’s change from pop punk mixed with emo to a more commercial arena rock sound on their last two records worked because it expanded the sound of the band and made them sound like a bigger version of themselves. This shift to a EDM influenced pop sound does the exact opposite, making it sound more and more like Patrick Stump’s solo career ghost written by Pete Wentz. Seriously, on both of the singles from Mania how many musical elements can you pick out? On Young and Menace I hear a lot of synths, a snare drum, a very slight piano once in awhile and I think a guitar buried under everything else on the drop. On Champion, there’s a guitar line, a few synths and drums; that's it.
    I find the same issue here I found with Heavy by Linkin Park when I first heard it; where is the rest of the band? Fall Out Boy feature two guitarists, a bass player and a drummer along with a vocalist; at least when Linkin Park fill an entire song with pro tools and keyboard they have the excuse of having a DJ and a keyboard player in the band. Continuing with the comparison to Linkin Park, I actually think this is worse than One More light because Linkin Park at least went all in on a pop sound and had some songs that worked as pop music. Conversely, Fall Out Boy's half pop half rock sound just makes these tracks sound confused and I personally don’t think Young and Menace or Champion work even as pop songs.
    Overall, I’m worried that Mania could be to Fall Out Boy what One More Light has been to Linkin Park. The little bit of hope I have left is that they have not fully committed to the EDM pop sound just yet, as elements of their rock sound keep bleeding through. This means that there’s a chance that a few tracks on Mania will be legitimate rock songs. We will all have our answers soon enough as the album drops in September.



Friday, June 23, 2017

Paramore After Laughter: An Album a Day

An Album a Day is posted 5 days a week, Monday-Friday


Today we’re looking at former pop punk band Paramore’s latest foray into pop, After Laughter. Given Paramore’s pop punk roots, a switch to a new wave inspired sound to stay viable actually makes a lot of sense. Given new wave’s status as cleaned up and family friendly punk rock as well as the recent resurgence of 80’s music being popular this switch should work very well for Paramore.

Firstly, let me just say I was never a huge Paramore fan; I liked most of their hits but every time I'd listen to their deeper cuts off the albums I would always get bored quickly. In fairness, that's how I felt about most pop punk and emo bands of the 2000s, from Fall Out Boy to My Chemical Romance I always found the deeper cuts to be lacking. The only album by those sort of bands I liked the whole way through was Panic! At The Disco’s latest album Death of a Bachelor.

Over the course of listening to Paramore I've found tha the handful of songs I like from them I absolutely love, but everything is else is kind of forgettable. Needless to say I wasn't expecting much from this album; I really like the lead single Hard Times, but I usually do like their singles. Hard Times was still way more interesting than most of Paramore’s music because it promised a manic depressed 80’s new wave tribute sound across the album. That genre, and the way they handled it on Hard Times did give me hope that this album would be strong all the way through.

After listening to the full album I find myself torn. Part of me really likes the new wave sound throughout the album, the added synths and funk bass lines absolutely match Paramore perfectly. But part of me feels the same about this album as every other Paramore album. Despite the new wave polish they sound exactly like Paramore always has to me, pretty average with occasionally great songs.

For some reason, even with replacing the punk guitars with synths and funk bass most of this album felt just as familiar as anything else Paramore have done. Don't get me wrong it’s a solid album with 4 or 5 really good songs on it, but the stuff that isn't really good feels almost like background noise to me. Just like their past albums, I either get bored with the worse songs or just forget them as soon as they end.

The highlights are Hard Times, Rose Colored Boy, Pool, Grudges and Caught In The Middle. Hard Times and Pool are the most blatantly 80’s tracks on this album, combing really cool synths that sound like a mix of xylophone and wind chimes with a funk bassline and drum beat. The guitar is pretty sparse on these tracks, adding texture rather than being the main instrument, but it works perfectly within the context of the song.

Rose Colored Boy, Grudges and Caught In The Middle are an interesting mix of punk and new wave. These tracks mix more aggressive guitar riffing reminiscent of their early album with the new wave inspired sound of this album. These tracks feel like the best of both worlds for Paramore, keeping the aggression of their early sound and mixing it with the elegance of their poppier sound. To me, this is Paramore at their best.

I'd have to say this album is a mixed bag to me; featuring some of my favorite Paramore songs as well as ones I forget even exist the moment they stop. The blend of new wave with their sound works better than a lot of what they've tried before, but a lot of tracks just sound like filler between the great tracks. Ultimately I think this album is worth a listen, but after one listen I simply pick out the 5 tracks I like and pretend the rest don’t exist.